Lorette C. Luzajic
Pantone: North Africa
The souk, jasmine and cinnamon. Gentle brine on the breeze, and orange blossoms, and blush wine. I stretched out like a starfish in my raspberry brocade bed at my east gate hotel. The ceiling was a labyrinth of flowers. I asked my hosts if I could borrow a corkscrew: the concierge wrinkled his elegant nose in consternation. And the chef who served my full fish eye-up on a dazzling blue ceramic swirl of a plate frowned and shook his head, wagging a finger for emphasis. I wandered through the markets again to find a booth of requisite sundries and amenities, savouring pistachio pastries from Kasserine on the way back to my room. The men smoked and leered, but I didn’t care. At dawn, there were a thousand cats, marmalade and mangy and mewling, sipping milk and tenderness on tiny saucers all the way through the market maze. I chose shiny brass plates engraved with names for everyone: cheery camels adorned with rainbow ribbons. Olives, everywhere, and sprigs of bright mint. Up the coast I roamed in the turquoise seaside ruins of Carthage, the crimson sun and Sanderac conifers swallowing sky and skin. The gods there before all this and after.
Lorette C. Luzajic writes about art, memory, travel, and illness. Her work has appeared in hundreds of journals, numerous anthologies, and in translation to Arabic, Urdu, and Spanish. She is the editor of The Ekphrastic Review and The Mackinaw. Her latest book is Disgust (Cyberwit, 2025), a collection of flash.
